Georgia O'Keeffe Foundation Photographs, 1894-circa 1992, undated
This collection includes photographic materials related to Georgia O'Keeffe, her properties, travel, and artwork dating from 1894 to circa 1992. In addition to photographic prints and film, there are also original enclosures such as envelopes, boxes, and albums.
- Collection No.
- MS.57
- Dates
- 1894-circa 1992, undated
- Quantity
- 10.396 linear feet
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Marie Rapp Boursault, Yvonne Fairchild, and Georgia O'Keeffe
Georgia O'Keeffe and Marie Rapp Boursault in swimsuits at Lake George with Marie's young daughter, Yvonne.
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Georgia O'Keeffe, Fred and Ella Varnum, and Bly with Judith, Lake George
Georgia O'Keeffe, Fred and Ella Varnum, and Bly with sculpture, Judith. Probably photographed during the move from Oaklawn, house on the shore of Lake George, to a farmhouse on the same property. The sculpture, Judith, is by Moses Ezekiel.
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Glen Canyon
Closeup view of rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Bo-Bo with glasses
Photograph of one of O'Keeffe's Chows, Bo-Bo, lying on ground and wearing glasses.
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Jingo
Portrait of O'Keeffe's red chow, Jingo, sitting on a step of an adobe hallway, with a blurred view of foliage or trees in the background. It is probable that the location is the Abiquiu house.
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Liontamer Chow
Photograph of Champion Liontamer of Elster Chow. Note on verso states photograph was to Georgia O'Keeffe from Sam Draper. Handwritten on verso "Ch. Eastward Liontamer of Elster" "Co- owned by -- Mr. and Mrs. R. A. Hetherington, Jr. and Dr. Samuel Draper For Georgia O'Keeffe, Who loves chows so much from Sam Draper, In appreciation. Dec. 1, 1973." "76162"
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Chrysler Building from the Window of the Waldorf Astoria, New York
Partial view of the New York City skyline from an open window with a transparent curtain blowing in the upper left corner of the photograph. Visible is the Chrysler Building and numerous other highrise buildings surrounding it.
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Road from Abiquiu
View of the road from Abiquiu as seen from Georgia O'Keeffe's bedroom or view from her property; mesa dotted with trees and native scrub along with view of the valley below with trees.
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Road from Abiquiu
View of the road from Abiquiu as seen from Georgia O'Keeffe's bedroom or view from her property; mesa dotted with trees and native scrub along with view of the valley below with trees.
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Zaguan Door, Exterior
View of the adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, cloudless sky.
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Zaguan Door, Exterior
View of the adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, desert scrub in foreground, cloudless sky.
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Zaguan Door, Exterior
View of the cracked adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, and a water hose that runs horizontally through the picture frame in the foreground, cloudless sky.
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Zaguan Door, Exterior
View of the cracked adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, and a water hose that runs horizontally through the picture frame in the foreground along with desert scrub, cloudless sky.
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Zaguan Door, Exterior
View of the cracked adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, and a water hose that runs horizontally through the picture frame in the foreground, cloudless sky.
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Zaguan Door, Exterior
View of the cracked adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, and a water hose that runs horizontally through the picture frame in the foreground, cloudless sky.
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Zaguan Door, Exterior
View of the cracked adobe exterior of O'Keeffe's Abiquiu house with the Zaguan wooden slatted door flanked by native bushes, and a water hose that runs horizontally through the picture frame in the foreground, cloudless sky.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door, adjacent doorway in black shadow in foreground.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door, adjacent doorway in black shadow in foreground.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in semi-shadow with elk antlers and the Zaguan door.
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Well and Chair in Patio
View of the Abiquiu courtyard with the "Butterfly Chair" and the wooden wellhead cover with a single black rock resting on it, cracked adobe wall with wooden door, a row of pavement stones on the dirt ground.
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Garage Vigas and Studio Door
View from an exterior covered hallway with vigas looking toward O'Keeffe's studio; visible are chamisa and native shrub, double doors, cracked adobe wall with a stack of bricks adjacent to the studio doorway.
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Studio Door
View looking toward O'Keeffe's studio; visible are chamisa and native shrub, double doors, cracked adobe wall with a stack of bricks adjacent to the studio doorway.
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Studio Door
O'Keeffe frames her Abiquiu house as a flat plane of textured adobe; the darkened studio door is to the left, small native shrubs and a pile of bricks are in the foreground.
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Patio
View of the Abiquiu house courtyard, chamisa, window and doorway, cracked adobe walls, row of pavement stones on the compacted dirt.
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Patio
Interior view of the Abiquiu house courtyard, chamisa, window and doorway, cracked adobe walls, row of pavement stones on the compacted dirt.
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North Patio Corridor
Vertical composition of O'Keeffe's patio looking through an open doorway; cracked adobe wall, doorway with steps and paving stones, large graphic triangular shadow cuts across the picture plane from the upper right corner to middle bottom of the photograph; large chamisa to the left in foreground, a smaller chamisa can be seen at the other end of the doorway.
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North Patio Corridor
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.
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North Patio Corridor
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.
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North Patio Corridor
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway.
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Salita Door
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
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Patio and Zaguan
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow. Visible on the viewers left is a reflection in window of Georgia O'Keeffe taking the photograph.
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Dining Room Door in Patio
View of the cracked adobe exterior of O'Keeffe's Abiquiu house as seen from the courtyard; visible are a grouping of chamisa, double doors, a section of the wellhead, and pavement tiles in shadow in the foreground.
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Patio and Zaguan
View of the adobe exterior of O'Keeffe's Abiquiu house as seen from the courtyard; chamisa and paving tiles lead up to the shadowed hallway with the Zaguan wooden slatted door and elk antlers mounted on the wall.
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Salita Door
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
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Salita Door
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
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Salita Door
Flat abstract view of the black Salita door against the textured adobe wall at the Abiquiu house; triangular shadow cuts across the picture plane, chamisa bush in lower left corner.
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Ladder against Studio Wall in Snow
A textured adobe wall and doorway with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall in Snow
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall in Snow
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall with White Bowl
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall and a white bowl casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; a patch of snow is in the lower right foreground.
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Ladder against Studio Wall in Snow
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; entire foreground is full of snow.
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Ladder against Studio Wall in Snow
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow; entire foreground is full of snow.
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Ladder against Studio Wall in Snow
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall, casting a shadow; the entire ground is covered in snow along with the rungs of the ladder.
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Kiva Ladders against Wall
Exterior view of a ladder leaning against the side of O'Keeffe's Abiquiu house and another ladder lying horizontally along the base of the wall. Cracked adobe and native bushes in foreground.
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Kiva Ladders against Wall
Exterior view of a ladder leaning against the side of O'Keeffe's Abiquiu house and another ladder lying horizontally along the base of the wall; cracked adobe and native bushes in foreground.
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Ladder against Studio Wall with Black Chow (Bo-Bo)
View of the side of the studio wall with a kiva ladder leaning against it casting a shadow. At the base of the ladder, one of O'Keeffe's dark haired Chows, Bo II (Bo-Bo), is sleeping. Written in pencil on verso: "Bo".
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Ladder against Studio Wall with Black Chow (Bo-Bo)
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow. One of O'Keeffe's Chows, Bo II (Bo-Bo), is at the base of the ladder.
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Ladder against Studio Wall with Black Chow (Bo-Bo)
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow, small patches of snow in foreground. One of O'Keeffe's Chows, Bo II (Bo-Bo), is at the base of the ladder.
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Ladder against Studio Wall
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow, chamisa in foreground.
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Ladder against Studio Wall
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow, chamisa in foreground.
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Ladder against Wall
Geometric section of the black door and textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall, casting a shadow; sky and clouds visible.
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Roofless Room
Exterior room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; graphic shadows of the crisscrossing ceiling branches on the floor and wall.
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Roofless Room
Adobe wall with graphic abstract shadows; the overhead latillas and pine vigas from the Roofless Room have cast horizontal and vertical shadows on the walls.
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Roofless Room
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; shadows of the crisscrossing ceiling branches on the floor and wall.
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Roofless Room
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; shadows of the crisscrossing ceiling branches on the floor and wall.
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Roofless Room
Adobe wall with abstract shadows; the overhead latillas and pine vigas from the Roofless Room cast horizontal and vertical shadows on the walls.
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Roofless Room
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; the door to the house is open, shadows of the crisscrossing ceiling branches on the floor and wall.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull. Inscription on verso by Georgia O'Keeffe: "Greetings Dove - this hangs beside my door at the Ranch."
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Skull, Ghost Ranch
Large cow (or steer) skull hanging on an exterior adobe wall of the portal; partial view of two vigas visible above the skull.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe in profile wearing a white head scarf that is wrapped around her head and drapes down along her right shoulder and chest on her black garment; one-quarter length portrait, neutral gaze looking towards viewer right, room in shadow.
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Georgia O'Keeffe in Abiquiu Studio
Portrait of Georgia O'Keeffe standing in profile looking out the picture window of her Abiquiu studio; the room and O'Keeffe are in shadow, the twin bed is in the foreground, and a view of the desert landscape with mountain and the meadow below can be seen from the window. Sitting on the large window ledge is a singular long steer horn and multiple large rocks.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors: Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors: Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors - Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors - Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
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Glen Canyon, contact sheet
Enlarged and cut 35mm contact sheet of five images of various rockface formations, including Tapestry Wall, and a close up of Marshall Gerard lying down in the raft. Visible filmstrip numbers: 28, 29, 30. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation view of two O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; a third painting, Train At Night In The Desert was cut out of the photograph.
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Georgia O'Keeffe exhibition, 291 Gallery
Installation corner view of two O'Keeffe works mounted on a grey fabric wall. Works from viewer left to right: Blue 1, 1916, watercolor on paper; and Inside The Tent While At U. Of Virginia, 1916, oil on canvas. Includes a small cutout of a photograph of an O'Keeffe painting.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of eight paintings on exhibition at the Anderson Gallery.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 27 paintings on exhibition at the Anderson Gallery.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 27 paintings on exhibition at the Anderson Gallery. One of the 27 paintings is cut out. Includes two 1 x 1 inch photograph cut outs of O'Keeffe paintings.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 15 paintings on exhibition at the Anderson Gallery.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 21 paintings on exhibition at the Anderson Gallery.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 12 paintings on exhibition at the Anderson Gallery. Two of 12 are cut out.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 12 paintings on exhibition at the Anderson Gallery. Two of 12 are cut out.
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Alfred Stieglitz Presents Fifty-One Recent Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of 10 paintings on exhibition at the Anderson Gallery, with the possibility that an eleventh painting was cut out.
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Alfred Stieglitz Presents Fifty-One Recent Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of four paintings on exhibition at the Anderson Gallery.
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Alfred Stieglitz Presents Fifty-One Recent Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
Installation view of five paintings on exhibition at the Anderson Gallery.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of two paintings on exhibition at An American Place.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of two paintings on exhibition at An American Place.
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Georgia O'Keeffe at An American Place, 44 Selected Paintings 1915-1927, An American Place
Installation view of eight paintings on exhibition at An American Place.
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Georgia O'Keeffe exhibition, An American Place
Installation view of six paintings on exhibition.
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Georgia O'Keeffe exhibition
Installation view of two paintings on exhibition.
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Georgia O'Keeffe exhibition
Installation view of two paintings on exhibition.
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"Skulls, Window 64, Color Portraits," Polaroid box
Empty box for Type 107 Polaroids. Handwritten by O'Keeffe on side: "Skulls, Window 64, Color Portraits." Box stamped on bottom: "Use Before Feb. 1965."
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"Flowers - 1st," Polaroid box
Empty box for Type 107 Polaroids. Handwritten by O'Keeffe on side: "Flowers - 1st." Box stamped on bottom: "Use Before Feb. 1965."
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"Road East - Abiquiu - Snow," Polaroid box
Empty box for Type 107 Polaroids. Handwritten by O'Keeffe on side: "Road East - Abiquiu - Snow" and "65." Box stamped on bottom: "Use Before Feb. 1965."
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Hob-B-Bookcraft, album
Hob-B-Bookcraft brand photo album and envelope for Nuage Mounting Corners. The album has a grey and blue cover with gold and red accents, and text on the spine: "Standard Title Here" and "Your Own Personalized Title Here." Several of the first and last pages contain adhered photo mounting corners where the album previously held O'Keeffe's photographs. Some pages are perforated and have come loose, including a half page that describes the "exclusive features of the Hob-B-Book." The envelope still contains several mounting corners.
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Glen Canyon, contact sheet
Enlarged and cut 35mm contact sheet of two images of rockface formations along the Colorado River, film strip numbers 31 and 27. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Georgia O'Keeffe retrospective exhibition, Whitney Museum of American Art
Color photograph of an O'Keeffe painting. Includes a torn envelope.
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Alfred Stieglitz by Frances O'Brien
Photograph of a Frances O'Brien drawing of Alfred Stieglitz. Handwritten on recto: Alfred Stieglitz by Frances O'Brien 1928.
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Glen Canyon
Image of rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Alfred Stieglitz by Frances O'Brien
Photograph of a Frances O'Brien drawing of Alfred Stieglitz. Handwritten on recto: Alfred Stieglitz by Frances O'Brien 1944. Includes separate scrap sheet with handwritten note: Frances Photos A.S. drawings.
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La Almeja (Clam) by Mym Tuma
Photograph of La Almeja (Clam) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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La Mariposa (Butterfly) by Mym Tuma
Photograph of La Mariposa (Butterfly) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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El Arco Iris (Rainbow) by Mym Tuma
Photograph of Al Arco Iris (Rainbow) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Hojancha (Seed and First Leaf) by Mym Tuma
Photograph of Hojancha (Seed and First Leaf) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Media Luna (Half Moon) by Mym Tuma
Photograph of Media Luna (Half Moon) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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La Alcatraz (White Lily) by Mym Tuma
Photography of La Alcatraz (White Lily) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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El Cuerno (Horn) by Mym Tuma
Photograph of El Cuerno (Horn) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Flor de Pensamiento (Pansey) by Mym Tuma
Photograph by Flor de Pensamiento (Pansey) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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La Perla (Pearl) by Mym Tuma
Photograph of La Perla (Pearl) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Glen Canyon
Glen Canyon, a section of the rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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La Almendra (Germinal Seed) by Mym Tuma
Photograph of La Almendra (Germinal Seed) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970. The letter includes the envelope. A press release from 2004 on the correspondence between Mym Tuma and O'Keeffe is housed with these materials to provide additional context.
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Mym Tuma and her works
Photograph of Mym Tuma with her works. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970. Handwritten on verso: "These Forms are: Mariposa (Butterfly) 35' x 45' Almeja (clam) 28' x 36' Cuerno (horn) Only a part of Alcatraz the white lily can be seen on the table 48' x 36' All are in an unfinished state here."
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La Perla (Pearl) by Mym Tuma
Photograph of La Perla (Pearl) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Media Luna (Half Moon) by Mym Tuma
Photograph of Media Luna (Half Moon) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Flor (Flower) by Mym Tuma
Photograph of Flor (Flower) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Hojancha (Seed and First Leaf) by Mym Tuma
Photograph of Hojancha (Seed and First Leaf) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilyn Thuma dated September 4, 1970.
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Glen Canyon, postcard
Postcard depicting a slot canyon in Glen Canyon with an individual silhouetted between the canyon walls.
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Fran Gharagozlou [?] to Georgia O'Keeffe, envelope
Envelope addressed to Georgia O'Keeffe from Fran Gharagozlou [?] from Kent State University, Ohio. Return address also lists Dr. M. Van Campen.
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Persepolis, Iran, postcard
Postcard depicting the ruins at Takht-e Jamshid (Persepolis), Iran.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Glen Canyon
Closeup of a section of a rockface formation. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Taos Pueblo, postcard
Postcard depicting Taos Pueblo.
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Glen Canyon
Closeup of a section of the rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Glen Canyon
Image of the rockface and foliage along the Colorado River. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Glen Canyon
Closeup of a section of the rockface. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Glen Canyon
View of a section of the rockface formations in the canyon with shadows. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Castle Herend
Castle Herend dating from 1500 near Budapest. Supposedly the home of Georgia O'Keeffe's relatives on her mother's side. Handwritten on verso: "The castle of Herend in Hungary. It was built in the XVI century by count Euldarhary [sp?]. Herend is in Hungary in the district of vepreus [sp?]." Handwritten on recto: "Castle of Herend near Budapest, built 1500 Totto home."
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Glen Canyon
Section of the rockface along the river. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Buffalo Skull
Photograph of the buffalo skull given to Georgia O'Keeffe in the 1930s by Robert Johnson. Buffalo skull with the horns suspended from the portal between two vigas, sky and clouds visible. Handwritten by O'Keeffe in black ink on verso: "This is in the portal as you go toward//the studio door—It was picked up//by the old Theodore Roosefelt [sic] party when//they toured the West years ago. The//son of one of the party gave it to me//It is a buffalo head—G"
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Books from Abiquiu House library
Photograph of book open to inscription from Alfred Stieglitz to Georgia O'Keeffe, and Laughing Horse by D.H. Lawrence.
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Artwork by Georgia O'Keeffe's Canyon, Texas students
Photograph of students' artwork. Handwritten on verso: "Children's work - W. Texas St. Normal Georgia's class.".
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Artwork by Georgia O'Keeffe's Canyon, Texas students
Photograph of students' artwork. Handwritten on verso: "Children's work - W. Texas St. Normal Georgia's class."
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Glen Canyon
Closeup section of the rockface. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Artwork by Georgia O'Keeffe's Canyon, Texas students
Photograph of students' artwork. Handwritten on verso: "Children's work - W. Texas St. Normal Georgia's class."
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Artwork by Georgia O'Keeffe's Canyon, Texas students
Photograph of students' artwork. Handwritten on verso: "Children's work - W. Texas St. Normal Georgia's class."
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Artwork by Georgia O'Keeffe's Canyon, Texas students
Photograph of students' artwork. Handwritten on verso: "Children's work - W. Texas St. Normal Georgia's class."
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University of Virginia, postcard
Postcard depicting the campus at University of Virginia.
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Library, University of Virginia, postcard
Postcard depicting the campus at University of Virginia with the library in the distance.
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O'Keeffe family house, Williamsburg, Virginia
O'Keeffe family's house in Williamsburg, VA. Includes envelope with following text: "Virginia envelope #4. 2 b/w photographs of bldgs of University of Virginia and 1 pix of Georgia outdoors at U. Va.", and handwritten in O'Keeffe's hand: "U.Va. Charlottes-ville".
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O'Keeffe family house and property, Sun Prairie, Wisconsin, postcard
Sun Prairie house and property with unknown individuals standing or sitting in front of house.
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Glen Canyon
Closeup of a section of the rockface. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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O'Keeffe family house and property, Sun Prairie, Wisconsin, postcard
Aerial view of several structures in Sun Prairie.
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Helen Woodruff in Greece
Photograph of Helen Woodruff and an unidentified man in Greece. Handwritten on verso: "Helen Woodruff 35."
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Helen Woodruff in Greece
Photograph of Helen Woodruff in Greece. Handwritten on verso: "Helen Woodruff 36."
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Helen Woodruff in Greece
Photograph of Helen Woodruff in Greece. Handwritten on verso: "Helen Woodruff 37."
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Helen Woodruff in Greece
Photograph of Helen Woodruff in Greece. Handwritten on verso: "Helen Woodruff 38."
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Helen Woodruff in Greece
Photograph of Helen Woodruff in Greece. Handwritten on verso: "Helen Woodruff 40."
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Glen Canyon
View of sections of the rockface along the Colorado River. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Chia
Photograph of Chia standing outside.
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Chia
Photograph of Chia sitting outside.
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Bo-Bo
Photograph of Bo-Bo outside near brush and trees.
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Bo-Bo
Photograph of Bo-Bo outside.
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Bo-Bo
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
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Bo-Bo
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
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Bo-Bo
Photograph of Bo-Bo outside.
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Bo-Bo
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
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Bo-Bo
Photograph of Bo-Bo outside.
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Bo-Bo
Photograph of Bo-Bo outside.
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Glen Canyon
Closeup of a section of the rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Bo-Bo
Photograph of Bo-Bo outside.
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Chia
Photograph of Chia sitting with skulls and bones in background.
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Chow dog
Photograph of a chow (not one of Georgia O'Keeffe's dogs).
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Chow dog
Photograph of a chow lying down (not one of O'Keeffe's dogs).
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Chow dogs
Photograph of two chows with a fence between them (not O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside next to an unidentified individual (this is not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside with an unidentified person kneeling behind (this is not one of O'Keeffe's dogs).
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Chow dogs
Photograph of two chow puppies standing on a table outside (these are not O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside next to an unidentified person (this is not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside next to a fence, being held on leash by an unidentified person (this is not one of O'Keeffe's dogs).
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Tapestry Wall, Glen Canyon
Closeup view of rockface formations with vertical dark staining. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Chow dog
Photograph of a chow puppy standing outside on a table (this is not one of O'Keeffe's dogs).
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Chow dogs
Photograph of two dogs looking at each other with a fence between them (these are not O'Keeffe's dogs). One dog is being held on leash by an unidentified person.
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Chow dog
Photograph of a chow standing outside with an unidentified person kneeling beside it (this is not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow sitting outside (this is not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside on a table (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy standing outside on a table (this is not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy outside on a table (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow sitting outside (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy standing outside on a table (not one of O'Keeffe's dogs).
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Mrs. Earle with chow dog
Photograph of Mrs. Earle sitting in a chair with a chow puppy in her lap (not one of O'Keeffe's dogs).
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Tapestry Wall, Glen Canyon
Tapestry Wall, Glen Canyon, closeup section of the rockface with dark vertical streaks. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Chow dog
Photograph of a chow sitting outside on a table (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy (not one of O'Keeffe's dogs).
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Chow dogs
Photograph of two chow puppies outside on a table (these are not O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside on a table (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow puppy (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow dog standing by a rug and door (not one of O'Keeffe's dogs).
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Chow dog
Photograph of a chow standing outside in front of a door (not one of O'Keeffe's dogs).
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Jingo
Photograph of Jingo, one of O'Keeffe's chows, lying down outside. Accompanying note on folded paper: "O'KEEFFE-JINGO."
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Jingo
Photograph of Jingo, one of O'Keeffe's chows, lying down and facing the camera.
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Maria Chabot cutting aspen on the Martinez Ranch
Maria Chabot and an unidentified man standing with a tractor, surrounded by trees. Handwritten on verso: "Spring-When we got the new tractor."
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Maria Chabot cutting aspen on the Martinez Ranch
Maria Chabot loading aspen onto a truck. Handwritten on verso: "This is what made the ceiling in that building that's too big."
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Cutting aspen on the Martinez Ranch
Photograph of landscape, trees with mountains in the background. Handwritten on verso: "This is high up-The Martinez Ranch."
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Maria Chabot cutting aspen on the Martinez Ranch
Photograph of Maria Chabot and an unidentified individual in a forested area with a pile of aspen trees on the ground and several aspens in the bed of a truck. Handwritten on verso: "Cutting aspen in March '47."
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Alfred Stieglitz
Profile head shot of Alfred Stieglitz wearing glasses and looking down, tousled hair, wearing a white shirt and vest, blurred background.
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Bust of Georgia O'Keeffe by Una Hanbury
Photograph of a bust of Georgia O'Keeffe, bust by Una Hanbury.
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Ghost Ranch
Photograph of landscape at Ghost Ranch. Animals grazing in distance.
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Bust of Georgia O'Keeffe by Una Hanbury
Photograph of sculpture of O'Keeffe, sculpture by Una Hanbury. Handwritten on verso: "Photo for Georgia O'Keeffe", "Una Hanbury."
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Bust of Georgia O'Keeffe by Una Hanbury
Photography of sculpture of O'Keeffe, sculpture by Una Hanbury. Handwritten on verso: "Photo for Georgia O'Keeffe", "Una Hanbury"; Post-it attached to verso: "Una Hanbury Sculpture (photo sent 12.10.68)."
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Abiquiu House, detail
Detail photograph of bone, wood, and stones at O'Keeffe's Abiquiu house.
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Georgia O'Keeffe and chow
Georgia O'Keeffe seated on bench with chow, Jingo.
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Georgia O'Keeffe and chow
Georgia O'Keeffe seated on bench with chow, Jingo.
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Abiquiu House, Patio
Copy print of Laura Gilpin photo. O'Keeffe's dogs, Bo-Bo and Chia II, lie outside on the patio of the Abiquiu house.
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Abiquiu House, Patio
Copy print of Laura Gilpin photo. O'Keeffe's dogs, Bo-Bo and Chia II, lie on the patio of the Abiquiu house.
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Chow
O'Keeffe's chow, Jingo, on portal at Ghost Ranch; flagstone, vigas, chamisa, assortment of rocks and bones on banco and wooden bench in background.
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Abiquiu House, Bedroom
Copy print of Laura Gilpin photo. Photo shows corner of bedroom in O'Keeffe's Abiquiu house, stones line shelf and a squash blossom hangs on the wall.
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Abiquiu House, Bedroom
Copy print of Laura Gilpin photo. Photo shows corner of bedroom in O'Keeffe's Abiquiu house, stones line shelf and a squash blossom hangs on the wall.
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Abiquiu House, Bedroom
Copy print of Laura Gilpin photo. Photo shows corner of bedroom in O'Keeffe's Abiquiu house, stones line shelf and a squash blossom hangs on the wall.
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Georgia O'Keeffe
Head shot portrait of Georgia O'Keeffe as a young woman, sixteen years old, quarter length view (head and shoulders); hair pulled back from face wearing a white high neck dress with lace, face looking slightly to the side and down, photograph displayed in original dark green/gray paper oval mount. Handwritten on verso: "Georgia T. O'Keeffe"
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Georgia O'Keeffe
Head shot portrait of Georgia O'Keeffe as a young woman, sixteen years old, quarter length view (head and shoulders); hair pulled back from face wearing a white high neck dress with lace, face looking slightly to the side and down, photograph displayed in original dark green/gray paper oval mount.
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Georgia O'Keeffe and family
O'Keeffe family in and around a hammock. Ida O'Keeffe is in hammock with hat. Georgia O'Keeffe is below.
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Georgia O'Keeffe and family
O'Keeffe family in and around a hammock. Ida O'Keeffe is in hammock with hat. Georgia O'Keeffe is below.
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Georgia O'Keeffe at University of Virginia, postcard
The photograph reproduced on this postcard comes from the Holsinger Studio Collection, Special Collections Department, Manuscripts Division, University of Virginia Library. Georgia O'Keeffe sat for a portrait with Mr. Holsinger in 1915 while at the University of Virginia. Postcard printer and date is unknown.
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Georgia O'Keeffe at Lake George
Photograph of Georgia O'Keeffe on a boat during her first visit to Lake George with other students of the Art Students' League. An unknown man sits next to her. Photograph includes an envelope with typed text: "envelope #1//first trip to Lake George//5 pix of OKeeffe [sic]//1 (on lake) with students of Art Students League (NY)//1 on bench, sun-dappled, (1915?)//3 of Georgia by trees by the lake, age about 20;" and handwritten in O'Keeffe's hand: "Lake George from League."
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe sitting with hand on hip leaning towards viewer right; wearing long sleeve cotton button-up dress with wide belt of same fabric with buttons in a vertical row, long white pointed collar (in contrast to dress) with brooch at neckline; sleeves pushed up; smiling at camera wearing a bonnet-like cap.
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Georgia O'Keeffe in Canyon, Texas
O'Keeffe at the Shirley House in Canyon, Texas.
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Georgia O'Keeffe in Canyon, Texas
O'Keeffe at the Shirley House in Canyon, Texas. O'Keeffe is standing on the shingles of the roof with a casement window open behind her; hair pulled back into a bun, wearing long ankle-length black dress with white collar underneath.
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Georgia O'Keeffe in Canyon, Texas
O'Keeffe at the Shirley House in Canyon, Texas.
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Georgia O'Keeffe in Texas
Full length portrait of O'Keeffe standing in the dirt in a barren landscape, leaning forward (to viewer right) with her hands behind her back. She is dressed in a long dark ankle length coat with a white shirt or dress underneath and wears a dark loose hat which conceals her head.
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Georgia O'Keeffe yearbook picture from Canyon, Texas
Yearbook photograph of Georgia O'Keeffe from Canyon, Texas. Mounted on thick paper. Printed on recto: "Georgia O'Keeffe//Art." Handwritten on verso: "I like your hair-do//Ted." Two envelopes: handwritten on one, "Texas" and "Anonymous" on opposite side; handwritten on the second envelope, "Canyon Tex." with typed text "envelope #3" and list of 18 photographs previously enclosed in envelope. Flap of second envelope: "Georgia O'Keeffe - Abiquiu, New Mexico 87510" and "George O'Keeffe in Canyon Texas [sic]"
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Rebecca Salsbury James and Georgia O'Keeffe
Tintype portrait of Rebecca Salsbury James (on left) and Georgia O'Keeffe (on right). Both women are wearing large brimmed hats and what appears to be Native American jewelry: strands of beads around their necks and silver cuff bracelets. Tintype in decorative art nouveau-style card frame with the imprint: Souvenir From.
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Georgia O'Keeffe in Monument Valley, Utah
In the fall of 1937, Georgia O'Keeffe traveled the Southwest with Ansel Adams, David McAlpin, and friends. In the background is the East Mitten of Monument Valley, Utah.
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Georgia O'Keeffe in Hawaii
Natural Stone Arch near Leho'ula Beach, 'Aleamai, Hana, Maui in the background.
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Georgia O'Keeffe in Hawaii
Natural Stone Arch near Leho'ula Beach, 'Aleamai, Hana, Maui in the background.
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Georgia O'Keeffe, Ollie Totto, and Catherine Klenert
Photograph of Georgia O'Keeffe with her Aunt Ollie (Alletta Totto) and sister, Catherine, in Madison, Wisconsin. Includes envelope in which this and related photos were stored.
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Georgia O'Keeffe and Catherine Krueger
Photograph of Georgia O'Keeffe with her niece, Catherine, in Madison, Wisconsin.
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Anita Young, Catherine Klenert, and Georgia O'Keeffe
O'Keeffe's sisters Anita O'Keeffe Young and Catherine O'Keeffe Klenert with Georgia O'Keeffe, to receive honorary degree from the University of Wisconsin, Madison.
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Anita Young, Catherine Krueger, and Georgia O'Keeffe
Anita O'Keeffe Young and Catherine Klenert Krueger with Georgia O'Keeffe to receive honorary degree from the University of Wisconsin, Madison.
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Catherine Krueger, Georgia O'Keeffe, and Ollie Totto
Photograph of Georgia O'Keeffe with Aunt Ollie (Alletta Totto) and her niece, Catherine, in Madison, Wisconsin.
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Georgia O'Keeffe and Catherine Krueger
Photograph of Georgia O'Keeffe with her niece, Catherine, in Madison, Wisconsin.
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Georgia O'Keeffe and Catherine Klenert
Photograph of Georgia O'Keeffe with her sister, Catherine, in Madison, Wisconsin.
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Georgia O'Keeffe with group in Kyoto, Japan
Group photograph taken in Kyoto, Japan. O'Keeffe stands in the back row, fourth from the right. Sleeve-style envelope has type on front: "Reminiscences of Kyoto, Kazuo Kokura, Kokura Photo Service, Kyoto Japan, Phone 5 [circled] 4285."
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Todd Webb
Closeup portrait of Todd Webb at the water's edge wearing a baseball hat, with canyon rockface in background. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Georgia O'Keeffe receiving honorary degree
Group of twelve posing outside in academic regalia, possibly at Harvard. Label on verso: "FRONT: L.to R. Prof. Neugebauer, Miss O'Keeffe, Dr. Hornig, Dr. Shannon, Judge Motley, Mr. Stone. REAR: L. to R. Mr. Hawkes, Dr. Fryer, Dr. Pearson, Dean Sizer, Judge Hastie, Professor Bree."
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Georgia O'Keeffe receiving honorary degree
O'Keeffe receiving honorary degree, possibly at Harvard.
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Georgia O'Keeffe receiving honorary degree
O'Keeffe receiving honorary degree, possibly at Harvard.
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Georgia O'Keeffe at desk, Ghost Ranch House
Photograph of Georgia O'Keeffe writing in a book at Ghost Ranch. Also includes envelope in which photograph was sent.
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Georgia O'Keeffe with Governor Knowles
Governor Warren Knowles and Georgia O'Keeffe at the presentation of Wisconsin Governor's award for Creativity in the Arts.
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Georgia O'Keeffe and Governor Knowles with group
Governor Warren Knowles and Georgia O'Keeffe with a group of individuals at the presentation of Wisconsin Governor's award for Creativity in the Arts.
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Georgia O'Keeffe
Profile portrait of O'Keeffe wearing a Marimekko patterned dress, hair pulled back, and looking to viewer right.
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Georgia O'Keeffe at Sapello Ranch
Georgia O'Keeffe at Sapello Ranch.
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Georgia O'Keeffe at Sapello Ranch
Georgia O'Keeffe at Sapello Ranch.
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Georgia O'Keeffe with horse at Sapello Ranch
Georgia O'Keeffe at Sapello Ranch with a horse.
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Glen Canyon, contact sheet
Glen Canyon, rockface formations along the river from a cut section of a contact sheet. Film strip numbers 3 and 7. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Georgia O'Keeffe in Abiquiu bedroom
Portrait of O'Keeffe dressed in a robe, with an outstretched arm, placing rocks along a ledge in her bedroom; silver Navajo necklace hanging on wall, Japanese paper lamp shade suspended from ceiling, and light bulb clipped to the headboard of O'Keeffe's bed.
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Georgia O'Keeffe
Striking profile portrait of O'Keeffe dressed in black, seated on the banco at the entrance of her Abiquiu house under a large set of elk antlers,with white shafts of ambient light falling on her forehead through the doorway.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe standing in front of her painting, After a Walk Back of Mabel's, 1929 (CR680). The photograph was probably taken during O'Keeffe's 1930 exhibition at An American Place. Copy print photography by Peter A. Juley and Sons.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe standing in front of her painting, After a Walk Back of Mabel's, 1929 (CR680). The photograph was probably taken during O'Keeffe's 1930 exhibition at An American Place. Copy print photography by Peter A. Juley and Sons.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe standing in front of her painting, After a Walk Back of Mabel's, 1929 (CR680). The photograph was probably taken during O'Keeffe's 1930 exhibition at An American Place. Copy print photography by Peter A. Juley and Sons.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe standing in front of her painting, After a Walk Back of Mabel's, 1929 (CR680). The photograph was probably takene during O'Keeffe's 1930 exhibition at An American Place. Copy print photography by Peter A. Juley and Sons.
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Georgia O'Keeffe
Portrait of Georgia O'Keeffe standing in front of her painting, After a Walk Back of Mabel's, 1929 (CR680). The photograph was probably taken during O'Keeffe's 1930 exhibition at An American Place. Copy print photography by Peter A. Juley and Sons.
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Gardening, Abiquiu
Profile portrait of O'Keeffe working in her garden wearing a large flowered quilted jacket and a head scarf, surrounded by leaves and foliage.
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Walk, Ghost Ranch
Profile portrait of O'Keeffe walking her dogs on the Ghost Ranch property through native grasses and trees surrounded by hills. O'Keeffe wears a large flowered quilted jacket and a dark skirt and carries a staff-like walking stick.
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Ghost Ranch
Portrait of O'Keeffe in the courtyard of her Ghost Ranch house bending down to write on a wooden shipping crate (possibly for a painting). She is wearing a black wrap dress, a crocheted shawl and sheepskin lined suede booties. Bones and antlers visible on shelf in background.
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Georgia O'Keeffe in Ghost Ranch garage with Sky Above Clouds
Georgia O'Keeffe standing in front of her painting, Sky Above Clouds, in the Ghost Ranch garage.
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Georgia O'Keeffe
Portrait photograph of Georgia O'Keeffe.
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Georgia O'Keeffe, Ghost Ranch, New Mexico
Portrait of O'Keeffe standing in profile in the landscape, in front of an easel with a blank canvas and a rams skull with horns; O'Keeffe is wearing a blue jean jacket with her hair pulled back in a bun.
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Georgia O'Keeffe in Abiquiu Patio
Portrait of O'Keeffe sitting on a banco in the patio of her Abiquiu house surrounded by a collection of rocks; she is wearing a black suit coat, black pants, a white shirt and a black scarf which covers her hair; she sits with body turned slightly to viewer right, her left leg is crossed over her right knee and her arms are crossed over her lap, her face in partial profile, a shaft of diagonal light illuminates the midsection of her body and the collection of rocks around her feet in the foreground.
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Georgia O'Keeffe and Mary Callery with bust of Georgia O'Keeffe
Portrait of O'Keeffe sitting in a chair in a wheelbarrow, modeling for Mary Callery at a room in Ghost Ranch. Callery is standing and sculpting the head of O'Keeffe on a tripod sculpting stand. Callery wears a denim shirt and jeans and O'Keeffe is wearing a shawl and long skirt; viga beams, adobe walls, ladders.
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Georgia O'Keeffe in Taos, New Mexico
Portrait of O'Keeffe sitting on a wooden bench dressed in a white shirt with a black sweater over her shoulders and a black skirt, ankles are crossed, hair pulled back with desert landscape in background.
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Georgia O'Keeffe with James Johnson Sweeney, contact prints
Contact prints of Georgia O'Keeffe and James Johnson Sweeney at the American Academy, New York.
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Unknown Man
Portrait of a man with gray hair and with hand on his chin, blue eyes looking upward, dressed in a gray and white small checked shirt with white drapery as the backdrop.
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Unknown Man
Portrait of a man with gray hair and blue eyes, looking directly at the camera, dressed in a gray and white small checked shirt with white drapery as the backdrop.
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Unknown Man
Portrait of a man with gray hair and with hand on his chin and cheek, blue eyes looking toward the camera, dressed in a gray and white small checked shirt with white drapery as the backdrop.
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Unknown Woman
Portrait of a young woman with short brown hair, wearing an orange and yellow checked shirt, sitting against a white upholstered cushion that is covered with an orange patterned bandana.
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Sitting Room
Interior view of the Abiquiu house living room with furniture in shadow, white slipcovered chair near picture window, rocks on window ledge, view of large tree (possibly in snow) through window.
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Sitting Room
Interior view of the Abiquiu house living room with white slipcovered furniture in semi-shadow, plants, large tree through picture window.
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Sitting Room
Interior view of the Abiquiu house living room with furniture in shadow, white slipcovered chair near picture window, rocks on window ledge, view of large tree (possibly in snow) through window.
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Skull
Image of bleached cow skull with horns hanging on adobe wall.
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Mayfly Sculpture in Sitting Room
Closeup view of mayfly sculpture: two insects facing each other on a leaf.
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Mayfly Sculpture in Sitting Room
Closeup view of mayfly sculpture: two insects facing each other on a leaf.
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Jimsonweed (Datura stramonium)
Close up of a Jimsonweed flower with dark leaves surrounding it, pistol and stamen visible, shaft of light hitting top of petal.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimsonweed flower; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark waxy leaves.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimsonweed flower; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.
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Jimsonweed (Datura stramonium)
Close up portrait of two white jimson weed flowers; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimsonweed flower; some of the petal edges are bent forward, flower surrounded by dark leaves. Uneven exposure overall, the detail in the flower petals are blown out.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimson weed flower; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimsonweed flower; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves. Uneven exposure.
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Jimsonweed (Datura stramonium)
Close up portrait of a white jimsonweed flower; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.
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Jimsonweed (Datura stramonium)
Close up portrait of two slightly out of focus white jimsonweed flowers; some of the petal edges are bent forward, flowers surrounded by dark leaves.
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Fita
Portrait of Fita in a floral shirt. Post-it note on verso: "Fita / woman who took care of Francis O'Keeffe [sic] throughout childhood". Stamp on photo verso: "Vinci Studio / Mar. 9 1960 / Infanta 310 altos".
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Road from Abiquiu
Snow covered view of the valley from the Abiquiu house, dark cows grazing, mountain range and trees visible.
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Road from Abiquiu
Snow covered view of the valley from the Abiquiu house, dark cows grazing, mountain range and trees visible.
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Road from Abiquiu
Snow covered view of the valley from the Abiquiu house, dark cows grazing, mountain range and trees visible.
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Road from Abiquiu
Snow covered view of the mesa and the winding road as seen from O'Keeffe's bedroom at Abiquiu.
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Road from Abiquiu
Snow covered view of the mesa, trees, and the winding road with cars as seen from O'Keeffe's bedroom at Abiquiu.
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Road from Abiquiu
Snow covered view of the mesa, trees, and the winding road as seen from O'Keeffe's bedroom at Abiquiu; juniper bush in foreground.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in dark shadow with smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in dark shadow with smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in light shadow with smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; part of rock formations in dark shadow with smaller conical rock formation in the distance.
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Francis O'Keefe and Berthica
Frances O'Keefe and an unidentified woman sitting outside. The woman may be O'Keefe's fiancee, Berthica.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; part of rock formations in dark shadow with smaller conical rock formation in the distance. Rock formation on viewer left has shaft of light illuminating top portion of the rock face.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in dark shadow with smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; viewer right rock formation in dark shadow, two small shadows on rock face to the left, smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; part of the rock formations in dark shadow with smaller conical rock formation in the distance.
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Forbidding Canyon, Glen Canyon
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; viewer right rock formation in dark shadow, two small shadows on rock face to the left, smaller conical rock formation in the distance with numerous clouds in the sky above.
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Forbidding Canyon, Glen Canyon
Pyramid-like rock outcrop under a clear sky.
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Forbidding Canyon, Glen Canyon
Pyramid-like rock outcrop under a clear sky.
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Wai'anapanapa, Keawaiki Bay
Image of the ocean bay and volcanic rock with sandy shore at Wai'anapanapa, Keawaiki Bay. Includes envelope with typed address to "Doris Bry//ATLANTIS EDITIONS//11 East 73rd Street//New York, N.Y. 10021," and handwritten in large text, "HAWAII SNAPS." Envelope likely held photos with accession numbers 2006.6.1095-2006.6.1111.
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Lava Arch, Wai'anapanapa State Park
Image of the ocean bay and volcanic rock at Lava Arch, Wai'anapanapa State Park, along Hana coastline in Hawai'i.
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Natural Stone Arch near Leho'ula Beach, 'Aleamai
View of the Natural Stone Arch near Leho'ula Beach along Hana coastline on Maui, Hawai'i; ocean bay and volcanic rock with vegetation in the foreground.
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Glen Canyon, contact sheet
Enlarged and cut 35mm contact sheet with film strip numbers 8, 9, and 10, depicting rockface formations and foliage along the Colorado River. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Berthica
Photograph of an unidentified woman, possibly Francis O'Keefe's fiancee, Berthica.
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Sugar Cane Fields and Clouds
Image of the stalks in a sugar cane field in Hawai'i with sky and huge billowing clouds above.
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Sugar Cane Fields and Clouds
Image of a sugar cane field along a roadside with sky and huge billowing clouds above.
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Lava Arch, Wai'anapanapa State Park
View of the lava arch at Wai'anapanapa State Park, Maui, Hawai'i; ocean bay and volcanic rock.
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Lava Arch, Wai'anapanapa State Park
View of the lava arch at Wai'anapanapa State Park, Maui, Hawai'i; ocean bay and volcanic rock.
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Natural Stone Arch near Leho'ula Beach, 'Aleamai
View of the Natural Stone Arch near Leho'ula Beach along Hana coastline on Maui, Hawai'i; ocean bay and volcanic rock with vegetation in the foreground.
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Natural Stone Arch near Leho'ula Beach, 'Aleamai
View of the Natural Stone Arch near Leho'ula Beach along Hana coastline on Maui, Hawai'i; ocean bay and volcanic rock.
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Cliffs and Coastline
Image of the ocean bay and volcanic rock with sandy shore, vegetation, and mountainous slope, possibly along the Hana coastline in Hawai'i.
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Lava Arch, Wai'anapanapa State Park
View of the lava arch at Wai'anapanapa State Park, Maui, Hawai'i; ocean bay and volcanic rock.
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Ocean Shore
View of ocean foam lapping over the sandy shore with large rocks, possibly along Hana coastline in Hawai'i.
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Natural Stone Arch near Leho'ula Beach, 'Aleamai
View of the Natural Stone Arch near Leho'ula Beach along Hana coastline on Maui, Hawai'i; ocean bay and volcanic rock, sky.
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Berthica
Berthica sitting outside. Post-it note on verso: "Francis O'Keeffe [sic] (nephew to Georgia) with Cuban fiancee (Berthica) ~1960".
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Wai'anapanapa Black Sand Beach
Image with abstract composition of foaming ocean water lapping over black sand at Wai'anapanapa in Hawai'i.
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Wai'anapanapa Black Sand Beach
Image with abstract composition of foaming ocean water lapping over black sand at Wai'anapanapa in Hawai'i.
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Canoe Shed at Wai'anapanapa Black Sand Beach
Thatched canoe shed surrounded by vegetation on the black sand beach on the Hana coastline, Maui, Hawai'i.
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Fence Morning Glory (Ipomoea ochracea)
Close-up of a white flower with leaves and buds, possibly along Hana coastline in Hawai'i.
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Hawaii, postcard
Postcard of flora and waterfall in Hawai'i.
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Hawaii, postcard
Postcard of sugar cane in Hawai'i.
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Todd Webb
Portrait of Todd Webb looking at the camera, smiling. He is seated in the courtyard of the Abiquiu house, wearing a light colored shirt with a light meter cord around his neck. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case.
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Todd Webb
Portrait of Todd Webb looking at the camera with a smile. He is standing in the courtyard of the Abiquiu house leaning against a wooden post, wearing a light colored shirt, a watch, and a light meter cord around his neck, his hand and arm are on his chest. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case.
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Todd Webb
Portrait of Todd Webb smiling and holding a cigarette while standing in the doorway of the Salita with one hand leaning against the wall, with one knee bent and wearing a light colored shirt with a light meter cord around his neck. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case. Photograph likely printed by Todd Webb.
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Todd Webb
Portrait of Todd Webb in a light colored jacket and dark shirt standing in front of a doorway at the Abiquiu house looking toward the camera.
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Todd Webb
Profile portrait of Todd Webb in a light colored jacket and dark shirt standing in the courtyard of the Abiquiu house. Visible behind him is a large chamisa and the black salita door.
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Todd Webb
Profile portrait of Todd Webb looking towards the camera in a light colored jacket and dark shirt, standing in the entrance way of Abiquiu house. Visible behind him is the wooden gate door with light shining through the slats.
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Todd Webb
Profile portrait of Todd Webb looking towards the camera in a light colored jacket and dark shirt, standing in the entrance way of Abiquiu house. Visible behind him is the wooden gate door with light shining through the slats.
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Todd Webb
Portrait of Todd Webb dressed in a black polo shirt and light colored slacks, sitting at the banco in the living room of the Abiquiu house. He has elbows on knees, holding a piece of bark and looking in the direction of the camera.
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Todd Webb
Portrait of Todd Webb dressed in a black polo shirt and light colored slacks, sitting at the banco in the living room of the Abiquiu house. He has elbows on knees and is looking off to the left.
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Todd Webb
Portrait of Todd Webb at the Abiquiu house standing in front of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, facing the camera.
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Todd Webb
Profile portrait of Todd Webb at the Abiquiu house standing to the side of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, face turned toward the camera.
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Todd Webb
Portrait of Todd Webb at the Abiquiu house standing to the side of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, face turned toward the camera.
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Skull, Ghost Ranch
Bleached cow skull hanging on the portal at Ghost Ranch, adobe wall and vigas visible. Handwritten in black ink on verso by Georgia O'Keeffe: "Another present this//is.//It is beside the//Studio door//G//Pretty isn't it!"
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Skull and Chair
Image of a ladder back chair and a horse skull hanging on the adobe wall under the portal. Handwritten by Georgia O'Keeffe in black ink on verso: "This is at the end of//the Portal—beyond//the ladder. That chair//I paid ninety eight//cents for 22 years//ago. One thing I have//that is worth its price.//It isn't an antique. It is//from Montgomery Ward.//G"
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Georgia O'Keeffe exhibition, 291 Gallery
A photograph of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.
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Georgia O'Keeffe exhibition, 291 Gallery
A copy print of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.
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Georgia O'Keeffe exhibition, 291 Gallery
A photograph of one O'Keeffe watercolors at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf. Originally housed in a folder labeled in O'Keeffe's handwriting: 2nd Show 291.
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Alfred Stieglitz Presents One Hundred Pictures: Oils, Water-colors, Pastels, Drawings, by Georgia O'Keeffe, American, Anderson Galleries
An installation view of various Georgia O'Keeffe paintings and works on paper as visible in two gallery rooms. Entrance into adjoining gallery is through an open doorway with velvet curtains.
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A Collection of Works by Living American Artists of the Modern Schools, Comprising Drawings, Paintings in Oil and Water Color and Sculpture, Anderson Galleries
An installation view of various Georgia O'Keeffe paintings at the Anderson Galleries.
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Georgia O'Keeffe exhibition, Anderson Galleries
An installation of Georgia O'Keeffe's paintings of abstractions and flowers, including several versions of calla lilies, at the Anderson Galleries.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include a New York skyscraper, an abstract composition, Black Cross, a flower and a tree.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include a New York skyscraper, an abstract composition, Black Cross, a flower and a tree.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include a New York skyscraper, an abstract composition, Black Cross, a flower and a tree.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include a New York skyscraper, an abstract composition, Black Cross, a flower and a tree.
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Catherine Klenert with painting Sky Above Clouds III/Above the Clouds III
Catherine Klenert Krueger with Georgia O'Keeffe's painting, Sky Above Clouds III/Above the Clouds III.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include cow and horse skulls, New Mexico landscape, and a flower.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior gallery view of three paintings on a white wall and more in an adjoining room and on other walls. Paintings on the wall include New York, Night, an abstract landscape, Black Cross, and Ranchos Church No. 1.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior gallery view of three paintings on a white wall and more in an adjoining room and on other walls. Paintings on the wall include New York, Night, an abstract landscape, Black Cross, and Ranchos Church No. 1.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Gallery wall with two paintings. Subjects are Taos Pueblo and a cross with a New Mexican landscape. Photograph is cropped.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of gallery walls with four paintings. Subjects are a cross, flower, the Ranchos de Taos Church, and an abstract tree.
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Frances Halden [?] and Helen Jones with skull
Frances Halden [?] and Helen Jones standing outside, holding a large skull between them. Handwritten in pencil on verso: "Longhorn Skull for Ms O'Keeffe / Frances Halder [?] and / Helen Jones on the / Halden's [?] adobe / walled terrace - / (Sun shadows through / latticed roof on walls / behind)".
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of gallery walls with four paintings. Subjects are a cross, flower, the Ranchos de Taos Church, and an abstract tree.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Interior view of gallery walls with four paintings. Subjects are a cross, flower, the Ranchos de Taos Church, and an abstract tree.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Corner view of gallery walls with three paintings. Subjects are abstract clouds, leaves, and the painting Black Cross.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Corner view of gallery walls with three paintings. Subjects are abstract clouds, leaves, and the painting Black Cross.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
View of singular painting of an abstraction of clouds on the gallery wall.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
View of two paintings on a gallery wall, Black Cross and a closeup of an interior of a flower. An image of a religious figure is visible in the adjoining room.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Photograph of the painting, Black Cross, hanging on a wall.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
View of two paintings on a gallery wall, Black Cross and a closeup of an interior of a flower. An image of a religious figure is visible in the adjoining room.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Image of singular painting of a religious figure as seen through the doorway of an adjoining gallery room.
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Corner view of gallery walls with four paintings. Subjects include flowers, leaves, trees, and a cross.
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Ruth Claire Weintraub and Noah Sky Kelsey Lundy
Portait of Ruth Weintraub with infant Noah Lundy. Handwritten on verso: "without any doubts, Ruth Claire Weintraub and Noah Sky Kelsey Lundy July 1970"
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Georgia O'Keeffe: 27 New Paintings, New Mexico, New York, Lake George, Etc., An American Place
Corner view of gallery walls with four paintings. Subjects include flowers, leaves, trees, and a cross. Accompanied by a note by O'Keeffe, "Should have Bear Lake."
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
View of three paintings on the gallery wall. Two paintings of New Mexican landscapes and one painting of a jack-in-the-pulpit.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
View of three paintings on the gallery wall. Two paintings of New Mexican landscapes and one painting of a jack-in-the-pulpit.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Corner view of four paintings on a wall. Two paintings of New Mexican landscapes, one painting of a jack-in-the-pulpit, and a painting of New Mexican landscape on an adjacent wall.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Three vertical strips from a cut up photograph. Each strip has one O'Keeffe painting: two New Mexican landscapes and a Jack-in-the-Pulpit.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of five O'Keeffe paintings on a white gallery wall. Subject of the paintings include flowers, a New Mexico landscape, trees, and a large abstraction.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of five O'Keeffe paintings on a white gallery wall. Painting subjects include flowers, a New Mexico landscape, trees, and a large abstraction.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of five O'Keeffe paintings on a white gallery wall. Painting subjects include flowers, a New Mexico landscape, trees, and a large abstraction.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
View of gallery installation of four O'Keeffe paintings on three walls. Two paintings of jack-in-the-pulpits, an abstraction, and an enlarged flower.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
View of gallery installation of four O'Keeffe paintings on three walls. Two paintings of jack-in-the-pulpits, an abstraction, and an enlarged flower.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
View of gallery installation of four O'Keeffe paintings on three walls. Two paintings of jack-in-the-pulpits, an abstraction, and an enlarged flower.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on two white walls; two New Mexican landscapes, two versions of jack-in-the-pulpits, and two abstract paintings. Part of another painting is visible along the viewer right edge.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on two white walls; two New Mexican landscapes, two jack-in-the-pulpits, and two abstract paintings. Part of another painting is visible along the viewer right edge.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on two white walls; two New Mexican landscapes, two jack-in-the-pulpits, and two abstract paintings. Part of another painting is visible along the viewer right edge.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on two white walls; two New Mexican landscapes, two jack-in-the-pulpits, and two abstract paintings. Part of another painting is visible along the viewer right edge.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on white walls; two paintings of New Mexican landscapes, and four paintings of flowers. One abstract flower painting is on the adjacent wall.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of six O'Keeffe paintings on white walls; two paintings of New Mexican landscapes, and four paintings of flowers. One abstract flower painting is on the adjacent wall.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of five O'Keeffe paintings on a white gallery wall; two paintings of flowers, two paintings of trees, and one painting of a New Mexico landscape. Written in pencil on the surface of the photograph: 1930. Graphite marks over the image.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of three O'Keeffe paintings on a gallery wall; two paintings of trees and one painting of a New Mexican landscape.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of two O'Keeffe paintings on a gallery wall; an abstract composition and a New Mexican church.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Corner installation view of O'Keeffe painting of a Pueblo style church.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of three O'Keeffe paintings of New Mexico landscapes and one painting of an abstract flower in the adjoining room.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of three O'Keeffe paintings of New Mexico landscapes and one Pueblo style church. In the adjoining room is a view of painting of an abstract flower.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of two O'Keeffe paintings, Ranchos de Taos Church and a New Mexican landscape.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of O'Keeffe's painting of Ranchos de Taos Church.
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Georgia O'Keeffe: Recent Paintings, New Mexico, New York, Etc. - Etc., An American Place
Installation view of an abstract O'Keeffe painting.
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Georgia O'Keeffe: 33 New Paintings (New Mexico), An American Place
Installation view of five O'Keeffe paintings on adjacent white walls; two paintings of horse skulls, one painting of a thigh bone, one painting of a landscape, and one painting of a flower.
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Georgia O'Keeffe: 33 New Paintings (New Mexico), An American Place
Installation view of five O'Keeffe paintings on adjacent white walls; two paintings of horse skulls, one painting of a thigh bone, one painting of a landscape, and one painting of a flower.
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Georgia O'Keeffe: 33 New Paintings (New Mexico), An American Place
Installation view of five O'Keeffe paintings on adjacent white walls; two paintings of horse skulls, one painting of a thigh bone, a painting of a landscape, and a painting of the Ranchos de Taos Church.
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Georgia O'Keeffe: 33 New Paintings (New Mexico), An American Place
Installation view of four O'Keeffe paintings on adjacent white walls; two paintings of horse skulls, one painting of a thigh bone, and a painting of a landscape.
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Georgia O'Keeffe: 33 New Paintings (New Mexico), An American Place
Installation view of O'Keeffe's painting of Ranchos de Taos Church.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of three O'Keeffe paintings; large painting of a cross in the landscape, a painting of Jimson Weed, and a painting of barns.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of two O'Keeffe paintings; large painting of a cross in the landscape and a painting of Jimson Weed.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of three O'Keeffe paintings on a white wall; a painting of a leaf, a flower and a landscape. A fourth painting is visible in the adjacent room.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of three O'Keeffe paintings on a white wall; a painting of a leaf, a flower and a landscape. A fourth painting is visible in the adjacent room.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of four O'Keeffe paintings, one of which is on an adjacent wall; two paintings of flowers, one abstract landscape, and a painting of a barn.
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Georgia O'Keeffe: Paintings - New & Some Old, An American Place
Installation view of three O'Keeffe paintings, one of which is on an adjacent wall; two paintings of flowers and one abstract landscape.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of six O'Keeffe paintings on a white wall; two paintings of New York skyscrapers, a landscape, leaves, and two abstract paintings.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of six O'Keeffe paintings.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of four O'Keeffe paintings on adjacent white walls; a painting of a jack-in-the-pulpit, a New York harbor scene, a flower, and a cross.
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Glen Canyon, contact sheet
Enlarged and cut 35mm contact sheet with film strip numbers 4, 5, and 6, depicting rockface formations and foliage along the Colorado River. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of four O'Keeffe paintings on adjacent white walls; a painting of a jack-in-the-pulpit, a New York harbor scene, a flower, and a cross.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of five O'Keeffe paintings on adjacent walls; a New York harbor view, an abstract leaf, a black cross, a tree trunk, and a barn.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of five O'Keeffe paintings on adjacent walls; a New York harbor view, an abstract leaf, a black cross, a tree trunk, and a barn.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of five O'Keeffe paintings on adjacent walls; a black cross, a tree trunk, a barn, and two landscapes.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of five O'Keeffe paintings on adjacent walls; a black cross, a tree trunk, a barn, and two landscapes.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of four O'Keeffe paintings on a white wall; a tree trunk, a barn, and two landscapes.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of four O'Keeffe paintings on a white wall; a tree trunk, a barn, and two landscapes.
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Georgia O'Keeffe: Exhibition of Paintings (1919-1934), An American Place
Installation view of four O'Keeffe paintings on a white wall; a tree trunk, a barn, and two landscapes.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation corner view of four O'Keeffe paintings on white walls; Red Hills With Pedernal, White Clouds, 1936, a small New Mexican landscape, Two Pink Shells, 1937, and Red Camellia, 1935.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation corner view of four O'Keeffe paintings on white walls; Red Hills With Pedernal, White Clouds, 1936, a small New Mexican landscape, Two Pink Shells, 1937, and Red Camellia, 1935.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of four O'Keeffe paintings on a white wall; Two White Shells One Black Shell, 1937, My Backyard, 1937, Red Hills With Flowers, 1937, and Cedar Tree With Lavender Hills, 1937.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of four O'Keeffe paintings on a white wall; Two White Shells One Black Shell, 1937, My Backyard, 1937, Red Hills With Flowers, 1937, and Cedar Tree With Lavender Hills, 1937.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of four O'Keeffe paintings on a white wall; Two White Shells One Black Shell, 1937, My Backyard, 1937, Red Hills With Flowers, 1937, and Cedar Tree With Lavender Hills, 1937.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of O'Keeffe's pastel, Red Hills And White Flower, 1937, on a white wall.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of two O'Keeffe paintings on a white wall: Hollyhock White With Pedernal, 1937, and Hollyhock Pink With The Pedernal, New Mexico, 1937.
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Georgia O'Keeffe: The 14th Annual Exhibition of Paintings With Some Recent O'Keeffe Letters, An American Place
Installation view of the O'Keeffe painting Two White Shells One Black Shell, 1937.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
Installation shot of an interior gallery view of seven Stieglitz's photographs at the Philadelphia Museum of Art; cloth covered wall, title panel "Photographs by Stieglitz" hangs above the photographs, two vents on baseboards.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Caricatures by Marius de Zayas on the wall under title, "The Bunch at 291."
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Photographs on pillar under title, "Stieglitz Looks at the Artists." Artwork on walls behind pillar.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Eight artworks on the wall, with additional art visible in adjacent galleries.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Artwork lines walls and two benches sit in the center of the gallery.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Artwork on walls and in casework.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Artwork hangs on walls and sits on pedestals.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Artwork hangs on walls and benches sit in the center of the gallery.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Artwork on walls and bust on pedestal in center of gallery.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Art on walls, sculptures on pedestals.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art. Art on walls and visible in adjacent gallery.
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History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art
View of installation at the Philadelphia Museum of Art.
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John Marin - Paintings - 1945, An American Place
Installation view of nine John Marin paintings as seen from adjacent rooms.
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John Marin - Paintings - 1945, An American Place
Installation view of nine John Marin paintings as seen from adjacent rooms.
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John Marin - Paintings - 1945, An American Place
Installation view of nine John Marin paintings as seen on adjacent walls.
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John Marin - Paintings - 1945, An American Place
Installation view of nine John Marin paintings as seen from adjacent walls.
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John Marin - Paintings - 1945, An American Place
Installation view of five John Marin paintings as seen from adjacent walls.
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John Marin - Paintings - 1945, An American Place
Installation view of a collection of photographs on a white wall.
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John Marin - Paintings - 1945, An American Place
Installation views of nine John Marin paintings as seen from adjacent walls.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art. A bench sits in the foreground and an adjacent room is visible.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art. Three are in one room, and one is visible in an adjacent room.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of five O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe exhibition, Museum of Modern Art
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
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Georgia O'Keeffe at Hirshhorn Museum
Photograph of Georgia O'Keeffe at the Hirshhorn Museum with the National Mall and the U.S. Capitol in the background.
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Georgia O'Keeffe at Hirshhorn Museum
Photograph of Georgia O'Keeffe at the Hirshhorn Museum. Olga Hirshhorn and Ira Lowe in background behind her.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," at the National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe and Doris Bry at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe and Doris Bry at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe and Doris Bry at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe, Doris Bry, and group at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe in a group of people at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe and Doris Bry at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe and Doris Bry in a group at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of group at exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe with unknown individuals at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe with two unknown individuals at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Georgia O'Keeffe at Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of Georgia O'Keeffe standing in front of photographs of herself at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of two unknown individuals at the exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Glen Canyon
Closeup of a section of the rockface formations along the river in Glen Canyon. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, March 16 through April 27, 1958.
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Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of exhibition, "Photographs by Alfred Steiglitz," National Gallery of Art, March 16 through April 27, 1958.
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St. Wulfram, Abbeville
Image of the church of St. Wulfram in Abbeville, France.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Preparation for Photographs by Alfred Stieglitz, National Gallery of Art
Photograph of preparation and installation of exhibition, "Photographs by Alfred Stieglitz," National Gallery of Art, February 3 through May 8, 1983.
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Unknown exhibition
Photograph of an unknown exhibition. Many of the paintings in the pictures appear to be Edvard Munch's work. Note sent with group of photographs (2006.6.1282-1286): Shots sent to O'Keeffe to select installation space.
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Unknown exhibition
Photograph of an unknown exhibition. Many of the paintings in the pictures appear to be Edvard Munch's work. Note sent with group of photographs (2006.6.1282-1286): Shots sent to O'Keeffe to select installation space.
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Unknown exhibition
Photograph of an unknown exhibition. Many of the paintings in the pictures appear to be Edvard Munch's work. Note sent with group of photographs (2006.6.1282-1286): Shots sent to O'Keeffe to select installation space.
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Unknown exhibition
Photograph of an unknown exhibition. Many of the paintings in the pictures appear to be Edvard Munch's work. Note sent with group of photographs (2006.6.1282-1286): Shots sent to O'Keeffe to select installation space.
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Unknown exhibition
Photograph of an unknown exhibition. Many of the paintings in the pictures appear to be Edvard Munch's work. Note sent with group of photographs (2006.6.1282-1286): Shots sent to O'Keeffe to select installation space.
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Jackie Suazo
Portrait of Jackie Suazo bending down with elbow on knee, holding a plate with a Japanese landscape on it. He wears light colored pants and a dark short sleeved shirt.
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Seagram's Building, New York
View of a modern skyscraper, Seagram's Building, looking upward. The metal and glass of the windows create an expansive pattern of geometric squares.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and chamisa.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by broken branches and dirt.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and chamisa.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and dirt.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, chamisa and dirt; view of mountains visible in background.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and dirt.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, chamisa and dirt.
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Big Sage (Artemisia tridentata)
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, broken branches and dirt.
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White House Overlook
Overview looking down on winding road surrounded by canyon rock formations in an arid desert landscape at Canyon de Chelly.
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White House Overlook
Overview looking down on winding road surrounded by canyon rock formations in an arid desert landscape at Canyon de Chelly.
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White House Overlook
Overview looking down on winding canyon rock formations in an arid desert landscape at Canyon de Chelly; foreground rock face has what looks like five crevices fanning out in a star pattern.
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White House Overlook
Overview looking down on winding canyon rock formations in an arid desert landscape at Canyon de Chelly; foreground rock face has what looks like five crevices fanning out in a star pattern.
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Spider Rock
Overview looking down on winding canyon rock formations in an arid desert landscape at Canyon de Chelly; clustered in the center of the composition is an outcropping of sheared vertical rock formations resembling huge columns.
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Spider Rock
Overview looking down on winding canyon rock formations in an arid desert landscape at Canyon de Chelly; clustered in the center of the composition is an outcropping of sheared vertical rock formations resembling huge columns.
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Road
Closeup view of a gravel two-lane road with trees and desert scrub along the roadway, car coming from the opposite direction.
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Road
Closeup view of a gravel two-lane road with trees and desert scrub along the roadway, mountain range faintly visible on the horizon.
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Road
Closeup of dirt road with gravel; trees and native scrub along roadside.
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Road
Closeup of dirt road strewn with rocks and gravel; native scrub along roadside and faint view of mountain range on horizon.
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Road
Closeup of dirt road with tire tracks, strewn with rocks and gravel; native scrub along roadside and faint view of mountain range on horizon.
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Chama River
Desert landscape overview of a winding section of the Chama River, rolling slopes with chamisa, scrub, and trees.
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Chama River
A panoramic overview looking down on the Chama River where the water winds around a small outcropping of land in the river; high desert landscape with mountains in the distance.
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Chama River
A panoramic overview looking down on the Chama River where the water winds around a small outcropping of land in the river; high desert landscape with mountains in the distance.
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Chama River
A vertical overview looking down on the Chama River where the water winds around a small outcropping of land in the river; high desert landscape with mountains in the distance.
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Chama River
A vertical overview looking down on the Chama River where the water winds around a small outcropping of land in the river; outcrop of rocks in foreground, high desert landscape with mountains in the distance.
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Chama River
A panoramic overview looking down on the Chama River where the water winds around a small outcropping of land in the river; outcrop of rocks in foreground, high desert landscape with mountains in the distance.
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Chama River
A panoramic overview looking down on the Chama River where the water winds around a small outcropping of land in the river; outcrop of rocks in foreground, high desert landscape with mountains in the distance. Yellow cottonwoods along the riverbed.
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Chama River
A vertical overview looking down on the winding Chama River; outcrop of rocks in foreground, high desert landscape with mountains in the distance, yellow cottonwoods along the riverbed.
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Chia III
Portrait of one of O'Keeffe's Chows, Chia III, lying down and looking up at the camera, dark coat.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), with a dark coat sitting in the courtyard of her Abiquiu house with head turned towards the viewer's left. Tree stump, door, and bush visible in the background.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), with a dark coat sitting in the courtyard of her Abiquiu house with head turned towards the viewer's left. Tree stump, door, and bush visible in the background.
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Chia III
Portrait of one of O'Keeffe's Chows, Chia III, with a dark coat lying down in the courtyard of the Abiquiu house, head down between its paws.
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Chia III
Portrait of one of O'Keeffe's Chows, Chia III, with a dark coat lying down in the courtyard of the Abiquiu house, head down between its paws.
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Chia III
Portrait of one of O'Keeffe's Chows, Chia III, with a dark coat lying down in the courtyard of the Abiquiu house, head facing away from the camera.
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Chia III
Portrait of one of O'Keeffe's Chows, Chia III, with a dark coat lying down in the courtyard of the Abiquiu house, head looking up at the camera.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), looking up at the camera while lying on the tree stumps in the courtyard of the Abiquiu house. Adobe wall and screen door visible in background.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), looking up at the camera while lying on the tree stumps in the courtyard of the Abiquiu house. Adobe wall and screen door visible in background.
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Chia II and Inca
Portrait of O'Keeffe's two Chows, Chia II and Inca, outside one of her houses in the yard. One dog is lying down, chewing on a bone, while the other dog trots behind.
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Chia II
Portrait of one of O'Keeffe's Chows, Chia II, outside one of the houses in the yard, lying down and chewing on a bone. Desert scrub, rocks, and dirt.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), looking toward the viewer's right while lying on two tree stumps in the courtyard of the Abiquiu house. Adobe wall and screen door visible in background.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), with head facing toward the viewer's right while lying on two tree stumps in the courtyard of her Abiquiu house; adobe wall, screen door, and large rocks visible in background.
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Chia II and Inca
Portrait of two of O'Keeffe's Chows, Chia II and Inca, both lying down in the courtyard of the Abiquiu house. One is asleep and the other dog's head is tilted towards the camera.
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Chia II
Portrait of one of O'Keeffe's Chows, Chia II, lying down in the courtyard of the Abiquiu house, head tilted toward viewer's right.
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Inca
Portrait of one of O'Keeffe's Chows, Inca, lying down sleeping, head between paws at the Abiquiu house. Visible behind the dog is a broom and wooden box.
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Inca
Portrait of one of O'Keeffe's Chows, Inca, lying down sleeping, head between paws at the Abiquiu house. Visible behind the dog is a broom and wooden box.
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Chows
Profile view of one of O'Keeffe's Chows lying down in courtyard of the Abiquiu house with its head turned towards the camera. Partially visible behind the dog is a section of an adobe wall.
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Jingo
Vertical portrait of O'Keeffe's red Chow, Jingo, sitting on the flagstone at Ghost Ranch looking directly at the camera; shadow and tree stump visible in background.
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Jingo
Vertical portrait of O'Keeffe's red Chow, Jingo, sitting on the flagstone at Ghost Ranch looking directly at the camera; shadow, tree stump, and chamisa visible in background.
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Chow
Portrait of one of O'Keeffe's dark haired chows standing on the top of a snow covered ridge; desert scrub and chamisa, blue sky.
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Chow
Portrait of one of O'Keeffe's dark haired Chows looking towards the camera and lying in the Abiquiu yard; visible in the background are chamisa, desert scrub, and a section of an adobe wall.
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Jingo
Portrait of one of O'Keeffe's red Chows, Jingo, standing on the flagstone in the garden area of the Abiquiu house; visible in the background are chamisa, desert scrub, and a section of an adobe wall.
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Inca II
Portrait of Inca II, one of O'Keeffe's dark haired Chows with scruffy fur, lying on the flagstone of the Ghost Ranch portal looking towards the camera.
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Inca II
Portrait of Inca II, one of O'Keeffe's dark haired Chows, asleep on the flagstone of the Ghost Ranch portal with scruffy fur.
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Inca II
Portrait of Inca II, one of O'Keeffe's dark haired Chows, lying on the flagstone of the Ghost Ranch portal looking towards the camera, bottom of chairs visible in background.
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Inca II
Portrait of Inca II, one of O'Keeffe's dark haired Chows, sitting on the flagstone of the Ghost Ranch portal looking towards the camera; bottom of lounge chair, stacked stumps, and woven blanket visible. O'Keeffe's shadow in lower left corner.
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Inca II and Chia III
Portrait of Inca II and Chia III, two of O'Keeffe's dark haired Chows, sitting and lying on the flagstone of the Ghost Ranch portal; one looks towards the camera and the other is looking to the viewer's right.
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Bo II (Bo-Bo)
Portrait of one of O'Keeffe's dark haired Chows, Bo II (Bo-Bo), sitting on one of the stumps in the Abiquiu house courtyard. Visible in the background is the doorway, the shadow of a kiva ladder against the adobe wall, and numerous large rocks and stones strewn around the base of the stump.
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Bo II (Bo-Bo)
Close up portrait of one of O'Keeffe's fluffy dark haired Chows, Bo II (Bo-Bo), sitting on the dirt in the courtyard of the Abiquiu house.
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Bo II (Bo-Bo)
Close up portrait of one of O'Keeffe's fluffy dark haired Chows, Bo II (Bo-Bo), sitting on its hind legs with its paws up, in the courtyard of the Abiquiu house.
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Estiben Suazo and Bo II (Bo-Bo)
Estiben Suazo dressed in a jean jacket, jeans, plaid hat, and work boots, holding up one of the Chows, Bo II (Bo-Bo), by its paws to a standing position in the garden of the Abiquiu house. Broom, chamisa, adobe walls, and trees in background.
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Inca
Portrait of one of O'Keeffe's Chows, Inca, lying down in the courtyard of the Abiquiu house.
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Bo II (Bo-Bo)
Closeup portrait of Bo II, one of O'Keeffe's Chows, standing on the dirt with chamisa and a section of an adobe wall visible in the background. Unable to determine if the photograph was taken at the Abiquiu house or Ghost Ranch.
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Bo II (Bo-Bo)
Closeup portrait of Bo II, one of O'Keeffe's Chows, standing on the dirt with chamisa visible in the background. Unable to determine if the photograph was taken at the Abiquiu house or Ghost Ranch.
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